Un aggrégateurs de flux qui parlent d'impro
In his book Bagombo Snuff Box: Uncollected Short Fiction, Vonnegut listed eight rules for writing a short story: Use the time of a total stranger in such a way that he or she will not feel the time was wasted. Give the…
Etude de cas: Pixar vs. Dreamworks. Si Pixar vous touche au-dessus de la ceinture, Dreamworks exploite ce qui s’y trouve en dessous. http://www.lepost.fr/article/2011/01/02/2357120_la-difference-entre-pixar-et-dreamworks-serait-elle-la-ceinture.html http://www.bspcn.com/2009/06/30/dreamworks-vs-pixar-story-development/ La preuve par les chiffres: http://themetapicture.com/dreamworks-always-one-step-behind/ Conclusion: la narration bat la blague. Source: improviser.fr Story > Funny
I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the…
Improvisers, no, people, you need to watch this. She is a wonderful performer and storyteller. And what she says is so relevant to improvisation and to life. It’s beautiful. http://www.ted.com/talks/lang/eng/brene_brown_on_vulnerability.html Des sous-titres sont disponibles en français. Source: improviser.fr Brene Brown, la vulnérabilité
You might reach an asshole phase at two and a half to three years in, in which all the old [ones] are hopelessly outdated and only you understands how improv works. This will seem funny later. That’s me. Source: improviser.fr Asshole…
You should do it do get some traction out of it. It should have some bite. It shouldn’t just be an archaic entertainment, just for the laugh. – Keith Johnstone Also, Keith is at BATS right now, and they are tweeting the…